Its Good To Be A New Writer Breaking The Myth That Experience Is Everything

There’s a​ rumor out there in​ the publishing world that an​ editor won’t even look at​ the work of​ a​ new writer. it​ might be true for certain types of​ writing, but after interviewing hundreds of​ editors, I’ve found that most are more open to​ new writers than you might think.

And there are a​ few major benefits to​ being a​ new writer too. So before you spend too much time trying to​ work out how you can appear to​ be a​ published professional writer when you’re not, consider taking advantage of​ your current position as​ a​ newcomer.

What are the advantages? Here are four positive points of​ being a​ new writer that will help you get work - and they all come direct from editors.

1. It’s Easier to​ Impress

Editor says…

“I really don’t mind new writers at​ all. if​ you’re new and act professionally, I’m usually willing to​ give you a​ go. I’d suggest that new writers just be honest about who they are.

If I get a​ fairly good article by a​ new writer, I’ll be impressed. to​ me, that’s my chance to​ discover new talent. That’s when I’ll contact the writer and try to​ help them. if​ I get a​ fairly good article by a​ new writer pretending to​ be an​ experienced writer, I will probably just issue a​ standard rejection.” -Evelyn, Magazine Editor

If you claim to​ be a​ professional and experienced writer, an​ editor is​ likely to​ expect a​ lot. That means it​ will take a​ lot to​ really impress them. Even a​ good article might not be enough to​ get their attention. But if​ you tell the truth and admit that you’re a​ new writer, it​ takes a​ lot less to​ impress. a​ new writer with a​ professional approach is​ something special – just sending a​ professional quality submission might even be enough to​ impress.

2. There’s Room to​ Grow

Editor says…

“When I get a​ good article from a​ new writer, I’m always very happy. Why? Because new writers with the right skills and attitude are wonderful for our magazine. They can be shaped to​ suit our style, they listen to​ instructions, they usually have a​ positive attitude. That’s the kind of​ writer I like to​ take on and mentor.” –Stephanie, Magazine Editor

If an​ editor knows that you’re a​ new writer, you’re giving them the chance to​ spot new talent. if​ you’re new and right for their publication, you might be taken in​ and mentored until you suit their style.

The same isn’t likely to​ happen if​ the editor thinks that you’re experienced. Instead of​ looking at​ your work and thinking that it​ shows potential, they’ll be assuming it’s the best that you can do.

3. Anything Else, And You Risk Losing Their Interest

Editor says…

“I would tell writers to​ be careful if​ they’re going to​ exaggerate. I know everyone does it​ on resumes. But if​ someone claims to​ have been a​ writer for twenty years and is​ pitching my low-paying mag, I’m going to​ wonder two things. First, I’m going to​ wonder if​ they’re lying. Second, I’m going to​ wonder why they’re not working for a​ higher paying magazine if​ they really have that much experience. if​ they’re not lying, then I have to​ assume that they’re just a​ bad writer. Either way, it​ doesn’t look good for them.” - Danielle, Magazine Editor

If you’re a​ new writer, you need to​ be targeting the right kinds of​ markets. And if​ you are targeting small markets, claiming years of​ experience is​ only going to​ make editors suspicious.

4. Attitude Matters

Editor says…

“It’s simple. Many seasoned writers pitching me have a​ bit of​ an​ attitude, a​ hint of​ suspicion, and often a​ streak of​ boredom. Fresh writers pitching me tend to​ have nothing but positive energy and enthusiasm. I’ll take the enthusiastic writer, please.” –Sam, Editor

If you can’t go in​ with experience, go in​ with enthusiasm. That might be the big advantage that gets you the job.

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